We Make Movies has provided venues and platforms for independent filmmakers of all ilks to share their work in a safe, constructive, positive environment. All of the labs in our lab pipeline provide opportunities for artists to bring in their work (at whatever stage they are in)  with the hopes that our audience of creatives will share feedback for how to improve and optimize the project. Our Writers Lab allows writers to bring in fresh pages (from portions of their scripts) for actors to stage read so the writers can hear their ideas, dialogue, and craftsmanship come to life, but this means that there is a room full of others who are also privy to these new ideas, dialogue, and craftsmanship as well. So how can writers protect their intellectual property and safeguard their originality? What constitutes a script or screenplay? What is copyright and why do writers need it? We explain it all below!

A script is a written blueprint of a play, show, or movie. A screenplay...

American media magnate, internet entrepreneur, and philanthropist Mark Zuckerberg wants to help you make the movies you want to see. Known for co-founding the social media giant Facebook, Zuckerberg has acquired WMM through parent company Meta Platforms. We Make Movies will now operate under the moniker We Make Metaverse, as the team prepares to implement innovative strategies envisioned by Zuckerberg, ushering in a new generation of technological advances to enhance the essence of community. 

What exactly is the nebulous concept of the metaverse? The term can can be traced back to Neal Stephenson and his canonized 1992 dystopian cyberpunk novel Snow Crash. "Like any place in Reality, the Street is subject to development. Developers can build their own small streets feeding off of the main one. They can build buildings, parks, signs, as well as things that do not exist in Reality, such as vast hovering overhead light...

We Make Movies is putting its money where its mouth is and officially greenlighting three of YOUR feature films in 2022! Our Make Your Feature competition invited anyone with a kernel of an idea or a full screenplay to pitch their project to a panel of investors and the WMM community for the opportunity to land a $25,000 investment, tens of thousands of dollars worth of resources and assistance to ACTUALLY shoot their movie. Submissions opened on May 5 2021. We received 127 submissions, narrowed it down to 36 semi-finalists, then we had 14 filmmakers pitch our judges one last time on October 20th, 2021.

… now, DRUMROLL PLEASE! After an inspiring night of final pitches (watch the winning presentations below) and several weeks of impassioned deliberation, our panel of judges, including investors Sam Mestman, Rob Ness, and Cate Caplin have selected the feature films they will be investing in and advancing to pre-production. The winning filmmakers and films of our inaugural Make...

We Make Movies is the studio system for independent filmmakers. We cater to artists of all levels and serve projects in every stage of the process  from inception to final deliverables. Tech giants from NAB (National Association of Broadcasters) to IBC (International Broadcast Conference) have taken notice of our collective team's proficiency and expertise, and this week WMM is a force to be reckoned with at the FCP Global Summit.

The FREE Final Cut Pro event is being held virtually from November 8 - 13, and is suited for content creators of all levels. Explore elevating your producing skills through "Blueprint For A Micro-Budget Future" with our CEO Sam Mestman, learn to harness the power of your mobile phone by watching "Gimbals, Gear, and GO!" with our President Aubrey Mozino, or perfect your craft  by tuning into "High End iPhone Workflows for the Indie Filmmaker" with Creative Services' Creative Director...

Every actor who comes to Los Angeles believes themselves as having well-rounded expertise in various artforms and the natural ability to shapeshift into any character. There are few who actually possess such versatility, and even fewer who successfully manage to showcase their range. Actor, stuntwoman, and prolific producer Amy Rose Schumacher is one such actor, who in a sea of blondes, humbly punches through the crowd demanding to be seen. Her comedic work has been featured on such prestigious platforms as WHOHAHA, her action reel could command reverence from the most seasoned athlete, and her productions have collectively garnered acceptance and accolades from top niche festivals from around the world. 

Schumacher brings her pragmatic sensibility to We Make Movies as our premier Covid Compliance Officer, and most recently Production Coordinator for the Creative Services division of the company. She applies the same grace under pressure...

Few feature films have racked up cultural significance or conquered cinematic feats while made on ultra (ultra, ultra... ultra) low budgets. There's the 1977 experimental, horror masterpiece that is "Eraserhead", which was wildly celebrated auteur David Lynch's 10K  budget debut into the realm of feature filmmaking. There are the found-footage horror gems "The Blair Witch Project: (made for 25K) and "Paranormal Activity" (made for 15K), the neo-Western action film that put Robert Rodriguez on the map, "El Mariachi" (made for 7K), and the clever neo-noir "Following" (made for 6K) by a then novice Christopher Nolan. 

Then there are the directors who made their impression on the indie film world with their low-budget contributions, oftentimes shaking up what was considered acceptable and palatable for large audiences. There are a handful of 90's cult classics that delivered filmmakers like Kevin...