The future of We Make Movies comes down to two simple words:  Creative Freedom.

by, Sam Mestman - CEO and Founder We Make Movies

In a world where creative people are exploited, underpaid, and their work is largely taken for granted… to the point where everyone thinks it can be replaced fully by AI… many might ask themselves “what’s the point?  Why bother?”.  Well, We Make Movies exists to answer this question.

Most people I know did not enter the film industry to be told what movies to make, to be typecast as characters they don’t want to play or having the only acting they do be the endless self tape auditions they submit that no one watches.  No one grows up wanting to be making infinite variations of the same unboxing video on their youtube channel, to make marketing videos for soulless corporations, or work on an endless steady stream of film sets where not a single person is passionate about what is going on screen.  It’s all a compromise and it’s all not what we grew up wan...

At WMM, we're all about exploring different creative paths and embracing our inner multi-hyphenate. And let me tell you, David Beatty is the ultimate example of that ethos. He's an award winning filmmaker, actor, director, producer, writer, cinematographer, teacher and also the creator of our post-production workshop, What's Next, which turned into our Rough Cut Lab and has hosted many of our Performance Labs over the years. If that list wasn't exhausting enough he recently added published author to his resume with the book, An Actor's Process.  What initially started as a collection of anecdotes for himself, has morphed into a practical guide and quick source of inspiration for artists at every stage of their process. So, even if you don't typically fancy yourself an actor, take a page from David's book (literally) and try some of this advice on for size.

WMM: After many years of wearing so many hats within the industry (writer/actor/director/cinematographer/filmmaker) what prompted ...

We Make Movies has streamlined the process of filmmaking, starting with simplifying the bureaucratic paperwork behind pre-production and production. There are many legal and practical variables in figuring out how to handle all aspects of production, and knowing how to pay your cast and crew is one of the most important ones. We thought we'd break it down for you through our infographics below. We're here to help you manage the tedious elements of handling payroll. We're always just a click away!

Want access to the most professional and experienced actors for your next project? Then you'll want to make sure you're producing under a SAG-AFTRA contract so you can hire union performers.  However, we know navigating the signatory process and on-set paperwork can feel....daunting. But, we're here to break down the four most popular, low- budget, SAG-AFTRA contracts for you, so you can level up the talent on your indie project.  WMM President (and our in-house SAG-AFTRA consultant, as she has been involved with the organization for almost a decade) Aubrey Mozino, discusses the factors you'll need to consider such as how much the overall budget of the project is, where the project is slated to land (distribution? festivals?), specific elements of the project (nudity? stunts?), and the various paperwork that accompanies each contract (Exhibit G? Pension & Health Remittance Form?). It's a handful, which is why we provide services that can handle this entire process for you, but it is go...

Filmmaking is not for the weary and line producing is not for the amateur. A Line Producer is one of the most critical members of the filmmaking team, as they are responsible for planning and overseeing all operations and logistics from pre-production through delivery on a project. In short, they are the project manager and accountant for the project - the ones adulting so everyone else can focus on the making of a film. The primary order of pre-production business for a Line Producer is to break down the script to determine every specific need in order to create an initial budget for the project. Funds are allocated towards every key department (camera, set design, hair and makeup...), hiring decisions are made based upon rates available to offer, locations are decided upon depending on the particulars of each day, and a schedule is created considering all of these factors fiscally and for optimal efficiency. A good Line Producer will also take into account all the moving parts associ...

One of the countless benefits of being a We Make Movies member is the opportunity to enter into the Rolling Production Fund Challenge in hopes of securing funding for a community-backed project. Our unique system of vetting and testing projects for an audience is made complete by actually allowing our members to vote on their favorite pieces based on staged readings done by professional actors who bring the scripts to life in the semi-final stage of the challenge. Numerous short films have been chosen by a live studio audience of WMM members, and consequently been greenlit through this process. Prolific writer Flip Kobler penned the comedic gem No Reservations, which became one of the four winning RPF Challenge films in 2019. The film went on to be directed by award-winning filmmaker Steven LaMorte, who then additionally documented the magic behind the scenes of making the film, including the resourceful techniques and swoon worthy gear and software utilized to optimize the shoot. 

Th...

Filmmaking (like raising a child) takes a village and the team behind our Make Your Feature Competition winning film Under The Influencer, is birthing their film with exactly that in mind. By creating what they term Intern University, the production team (comprised of all queer women) is  supporting their budgetary, workflow, and (wo)manpower requirements while elevating a fresh crop of queer, female filmmakers. By employing 12  film school interns in various positions on their crew after putting them through a training program prior to the shoot, the team has provided an exceptional opportunity for those who may not otherwise be afforded a chance to gain experience which would in turn connect and qualify them for future assignments in Hollywood. “With a diverse cast and crew, our priority is that everyone feels safe and welcome, and by setting and articulating those expectations before filming begins, we hope to see our goals of positive and respectful consideration for one another me...

We Make Movies has provided venues and platforms for independent filmmakers of all ilks to share their work in a safe, constructive, positive environment. All of the labs in our lab pipeline provide opportunities for artists to bring in their work (at whatever stage they are in)  with the hopes that our audience of creatives will share feedback for how to improve and optimize the project. Our Writers Lab allows writers to bring in fresh pages (from portions of their scripts) for actors to stage read so the writers can hear their ideas, dialogue, and craftsmanship come to life, but this means that there is a room full of others who are also privy to these new ideas, dialogue, and craftsmanship as well. So how can writers protect their intellectual property and safeguard their originality? What constitutes a script or screenplay? What is copyright and why do writers need it? We explain it all below!

A script is a written blueprint of a play, show, or movie. A screenplay is limited to tele...

American media magnate, internet entrepreneur, and philanthropist Mark Zuckerberg wants to help you make the movies you want to see. Known for co-founding the social media giant Facebook, Zuckerberg has acquired WMM through parent company Meta Platforms. We Make Movies will now operate under the moniker We Make Metaverse, as the team prepares to implement innovative strategies envisioned by Zuckerberg, ushering in a new generation of technological advances to enhance the essence of community. 

What exactly is the nebulous concept of the metaverse? The term can can be traced back to Neal Stephenson and his canonized 1992 dystopian cyberpunk novel Snow Crash. "Like any place in Reality, the Street is subject to development. Developers can build their own small streets feeding off of the main one. They can build buildings, parks, signs, as well as things that do not exist in Reality, such as vast hovering overhead light shows, special neighborhoods where the rules of three-dimensional sp...