We are a simple google search away from being able to access libraries of information about any topic. Filmmakers looking to discover the latest gadget to accompany their smartphone camera, find a DIY method to achieve a high end look for their film, or simply brush up on a technique via a tutorial, need look no further than industry-centric sites like ours. Yet, when it comes to the simple question of how to have a productive day (when not on set), creative professionals commonly struggle with how to manage their schedules, succeed with maximum efficiency, and strike that evasive life-work balance. In an industry where multi-hyphenates have become the norm, this struggle is reeeeal.

The more hats a creative multi-hyphenate wears, the more complex the schedules, priorities, obligations, and workflows seem to become. For a certain elite pack, a personal assistant can curb some of this stress, but at the end of the day, the day can only be lived by the person living it. So where do we eve...

As part of our eARTh Project series, we have highlighted the impact of purposeful video literacy. Demographics that lacked the resources and opportunities to learn about content creation, were gifted with an education in how to effectively and efficiently tell stories, bringing them one step closer to being marketable in the work force at large. What they didn't count on though, was the education in real life skills, that can only be learned experientially.  

Twenty five teens in Chicago convened for the Untold Stories project, where they honed in on critical life skills, such as time management, scheduling, and the basic structure of writing. Adaptability became a central focus point, as they navigated circumstances and had to learn to "mold the interview to fit the script, or mold the script to fit the interview," as one student eloquently put it. They learned that sometimes the most important question is "what stories do we want to tell?" and furthermore, had to communicate and rea...

Community has always been the cornerstone of We Make Movies. What began as a small group of empowered filmmakers gathering to read one another's scripts, materialized into many films being made, followed by several incarnations of the group until the community reached global status. We boast an impressive roster of projects, host weekly events that cater to every stage of the filmmaking process, and provide educational support and practical services to filmmakers of all ilks looking to make what they want to see. Yes, we do that... but not without our community.

Through our innovative Smartphone Studio system, we have leveled the playing field for storytellers to tell their stories, while expanding our community. Filmmaking is no longer solely in the hands of the studios, and wealth does not dictate access to or success in the industry. We live in the age of the democratization of video production, and the gadget that nearly everyone has in their pocket, has quickly become the tool th...

In the spirit of the We Make Movies International Film Festival (which wrapped up a whirlwind virtual feat this past September 16-20), and all things indie, we sat down with the illustrious and fabulously eccentric Rachel Mason. A consummate artist, with sculpture, video and live performance exhibitions in esteemed museums around the country, an accomplished musician with 13 albums, and a filmmaker with three very different films, Mason never fails to surprise her audience. Her work often reimagines historical events and figures through an imaginative and cheeky lens, imploring the viewer to reflect on the essence of culture, perception, power dynamics, and what humanity has given credence to.  

WMMINTL: You directed and produced the critically acclaimed CIRCUS OF BOOKS, a film about your parents' iconic gay porn store during a time of intolerance against the gay community. Do you consider your parents to be rebels, revolutionaries, or simple pioneers? Do you think that the store i...