Archive | Technical RSS feed for this section
The Secret World of Colour Correction – Part 1
Avoid These 3 Practical DSLR “Gotchas” for a Smoother Shoot
CAMERA MATH: The Importance of Ratios
How A Shotgun Mic Works
1080p video smackdown: iTunes vs. Blu-ray
And this is why you don’t film concerts with your camera phone…
Mozilla considers H.264 video support after Google’s WebM fails to gain traction
Why the new iPad’s resolution is irrelevant to HDTVs
HD Monitor Calibration – SMPTE, ARIB, and White Balance
A RED post production workflow
What is OLED TV?
Mastered for iTunes: how audio engineers tweak music for the iPod age
Behind the movie magic: a 4k video editing setup
Michael Cioni talks 4K workflow and FCP proxies for The Girl with the Dragon Tattoo
PL-mount Primes Compared
Pulse Width Modulation is NOT Your Friend
Rough Guide to Flicker-Free HD Shooting
Strengths and weaknesses of HTML5 video
The DSLR Filmmaker’s Workflow
Watch the THX Color Management 101 Webinar
Calculate Memory Usage with KataData App
How camera lenses are made.The Gift and the Curse of Zeiss Superspeed Lenses
The Gift and the Curse of Zeiss Superspeed Lenses
Shooting a surfing timeslice effect at sea with a 48 GoPro camera array – Amazing
Hot Button Discussion Higher Frame Rates By Michael Goldman
RED teases 4K passive-3D laser-illuminated projector
Eric Haase Turns Two IPads Into The Ultimate Interview Accessory.
More about Roles in FCPX from Steve Martin and Mark Spencer
Understanding the Importance of WHITE BALANCE
Syfy Unleashes ‘Alphas’: Tapeless Production with ARRI Alexa, Canon 5D and GoPro
Web Analytics