Last summer Apple released a new version of its venerable nonlinear video editing software, Final Cut Pro.
Most of the time, a new version bears some resemblance to its predecessor, but Final Cut Pro X looks nothing like previous versions.
Sporting an all-new user interface reminiscent of iMovie, Final Cut Pro X has been rewritten and rebuilt from the ground up to take full advantage of modern Apple hardware and operating systems.
Early adopters either loved it madly or hated it with a passion when it was released last June.
The haters were mostly longtime Final Cut Pro users who were disappointed with the new version’s shortcomings, both real and perceived.
